She was part of the
first year of WHW Akademija, Zagreb (2018-2019), recently finished her MA at
the Dutch Art Institute (2021) and BAK Fellowship for situated practice
(2021-2022).
KIOSK Rotterdam is a bookshop, (riso) print workshop, and a Leaky Press run by artist Philippa Driest. It started off with a personal selection and grew to a collection of titles informed by people who visited and shared their research. The selection hosts radical/critical theory, fiction, poetry and self-publishing practices.
On Fridays, from 14.00-20.00, you can find her at KIOSK
Pieter de raadtstraat 35a
3033 VC Rotterdam
phedflip@gmail.com
Insta @flipdriest
Philippa Driest (1993) is an artist and initiator of KIOSK Rotterdam.
Her
practices revolve around topics of maintenance, community and distribution. In her work she explores different
sites of contamination and leakage through publishing and research
installations.
Projects
A Spectacle of So Much Glory and So Much Shame, 2022
KIOSK Rotterdam 2018 - ongoing
The Windowshop, 2023
Heerbokelweg tapes,
2020 - 2023
Skrenuti Desno, Nakon Dvjesto Metara Skrenuti Lijevo, 2019
Residency 11:11, 2023
Springboard Art Fair, 2023
She was part of the
first year of WHW Akademija, Zagreb (2018-2019), recently finished her MA at
the Dutch Art Institute (2021) and BAK Fellowship for situated practice
(2021-2022).
KIOSK Rotterdam is a bookshop, (riso) print workshop, and a Leaky Press run by artist Philippa Driest. It started off with a personal selection and grew to a collection of titles informed by people who visited and shared their research. The selection hosts radical/critical theory, fiction, poetry and self-publishing practices.
On Fridays, from 14.00-20.00, you can find her at KIOSK
Pieter de raadtstraat 35a
3033 VC Rotterdam
Skrenuti Desno, Nakon Dvjesto Metara Skrenuti Lijevo, 2019
I spent 8 months in Zagreb researching Novi Zagreb, a residential area built on modernist principles situated on the south side of the Sava River. During my stay in Zagreb, mayor Milan Bandic introduced plans for the future development of Sava River bank on the south side. He announced his intention to build a “City in the City”, Zagreb Manhattan, the execution of which will mean demolition of cultural heritage: the pavilions of the Zagreb Fair (1956). The stated aim was to transform the capital’s Novi Zagreb district into a “new, innovative urban area, with mixed and diverse complementary services, which would improve the overall quality of life of the inhabitants, become a tourist attraction, and form the centre of Novi Zagreb”. After this announcement I started documenting the roadmap structure of Novi Zagreb, focusing on the navigation of these building projects and the deviant behavior of the actors in the development of the city.
Studio David Maljkovićc, Zagreb (2019)
Videowork, car, publication, glass sculpture,
